Tuesday, June 4, 2013

bubblegum

The only thing necessary for the triumph of evil is that good men do nothing.
Edmund Burke. 


I get a knot in my stomach remembering him, and the smell of bubblegum makes me a little queasy. That awkward boy with slightly greasy hair and ill-fitting clothes who had to endure indignities of life only children are cruel enough to devise. I remember looking away from his hurt so as not to draw any attention to myself. 

He’d done nothing wrong - nothing but be just that little bit different. Nothing but wear pants that were a little too short and sweaters that were a little too polyester. I can still see the unevenly chopped hair he returned to school with the next day, the day after the ‘cool boys’ had held him down, wrapped bubblegum around his head, squished it down, rubbed it through his thick hair to his scalp. Why did his mom send him back with his hastily cropped shame so evident? Had she cried cutting the gum from her boys' head?

By the end of the week he had left our school and our small town. The look in his face has haunted me since then. And, the smell of bubblegum makes me a little queasy.


Write on Edge Prompt:
Write and link up a no more than 200 word post about….

Bubblegum

Yep. Bubblegum. I have no idea how much wine was consumed prior to that prompt being created, but the paper it was on was folded into a cootie catcher and had purple stains on it. (For the record, if I’d picked 4 instead of 3, the prompt would have been vole abuse.)

Have fun with bubblegum!

Monday, June 3, 2013

the folding star: review

When I read Alan Hollinghurst's Line of Beauty, I felt as though I was eating dark chocolate for the first time. I didn't know a book could be so balanced - to reveal so perfectly the bitter and the sweet of life. There were pages that I read and re-read, not because I wasn't retaining the story, but to savour again Hollinghurt's magical stringing together of words.I don't read much poetry anymore, but I do love prose that reads like a poem, and Hollinghurst is at his best in those lovely moments

Holinghurt's genius with words is also apparent in his earlier novel The Folding Star, but where Line of Beauty presents a world that is flawed but compelling, I had a hard time giving a fairy fart about the world he created in The Folding Star.


I shouldn't say 'the world' was the problem - a major European city, a teacher, an art historian, love, intrigue, secrets - that's all part of a world I would normally locate myself in. But, the whole time I was reading The Folding Star, which was a considerable time because I had such a hard time getting into it, I kept wondering what was off about it. Why didn't I love it the way I had adored Line of Beauty?


I actually never came up with the full answer to that, but a large portion of the blame lies with the weak characters. In Hollinghurst's later stories the characters are flawed but compelling. Here they are just unappealing. Strong characters are a must for me; human, imperfect, but compelling and balanced. The characters in this story - most markedly the main character - verge on repellent. Not Don Draper repellent either ... there's not enough charm or talent or tragic back story to forgive this protagonist for his selfish, insipid, repetitious behaviour.

If you can read a story and just savour the language, you might enjoy this book. If characters inhabiting that beautiful world are an important factor for you, read Line of Beauty instead.

 

Monday, May 27, 2013

gold dust

She lay on her side, both hands clutching the hot water bottle to the spot she imagined miniscule miners were pick-axing holes in her liver. Or maybe in her duodenum – that’s a thing, right - or some piece of intestine that would eventually have to be removed. It was the same game she played every time she ended up here. The doctors poked and whispered and shook their heads and said little. The miniscule miners came back, sometimes for hours, sometimes for days, and worked away at whatever they were doing to her body.

She watched the golden dust motes spin in the thin stream of sunshine let in by the curtain. Imagined them curtsying, bowing, clasping hands, circling left, allemande-ing right. She blew on them and changed the steps of the dance. Dust motes in sunshine. Rain drop races in grey weather. She had her games – her ways of being entertained without making the pain worse. Movement spurred either the pain or the nausea; games in her head made it monetarily bearable.

Retching into the kidney-shaped receptacle, she was amazed at the vivid contrast between the fluorescent green of the bile and the pallid mint of the plastic. How did a body create that colour? And why were hospital colours always just a shade away from death? She lay back on the pillows, damp with sweat and the stench of sickness.

Soft lights flashed behind her eyelids as fairies whisked her away from the beeping, reeking, intrusion that was supposed to cure her, or at least to quell the symptoms for a while. Her body might be rebelling against all she had hoped and dreamed, but her imagination remained a true friend.

Tuesday, May 21, 2013

by the way

I'm working on shaking a few things up. Change is a-comin' and it will be ... deliberate.


Monday, May 20, 2013

Viola Sylvesta

I shared this post last year on Angela Kelsey's women-honouring blog in celebration of my grandma's 100th birthday. I re-share it here today as we both mourn and celebrate her passing last night. I say mourn, because for all of my life my grandma was someone who believed in me 100% and always always had my back with love and prayer. And, I say celebrate, because at 101, it had been some time since grandma had had the quality of life that she valued and deserved, and we know she is in heaven with grandpa, her youngest daughter, so many of her friends and siblings, one grandson, and her heavenly Father. 

I am so grateful that my sons got to grow up with a great-grandma, and that Rivers got to meet her last year. And I miss her fiercely. 
So much love, and goofiness

She was born in the Spring of 1912. To a family with brothers and sisters and a father whose dreams kept them destitute in a way that we, two and three generations on, only read about in Steinbeck novels. She grew up with dill pickle barrels on general store porches. With horses that were tools first. With gold mines gotten to too late and dust storms that blew away suppers. She grew up in Oklahoma, Texas, Arkansas and in places north, east and west of them. Somehow she got herself educated. She went to university in San Francisco, a city even then to a family-loving farm girl. Somehow, in 1920’s America she became an ordained Pentecostal minister. An ordained woman minister. It boggles my mind even though it’s a fact I’ve known all my life.

She married late, for her generation, finding her life mate in another devoted minister at summer revival tent meetings. Their courtship was conducted mostly in letters - hers questioning; his cryptic. The next summer, at those same tent meetings, they eloped. And suddenly, she had a new family to consider.

My dad was her firstborn - joining the family at his grandmother’s house in Idaho. Grandpa worked in the mountains then – preaching being a side calling for a man who worked magic in wood and had a family to feed. My everlasting memory of my grandfather is the faint smell of fresh sawdust. A second son followed, and then four girls, in that little town in those cold Idaho mountains.

And then came a call from God – move the family to Canada. Six kids from six months to nine years loaded into a camperized school bus and transported from Idaho’s coal country to Canada’s Cariboo country. They lived in that bus for a winter. And she cooked on a fire in the snow, and over a woodstove in the bus when possible. But they were there at God’s calling, in the place where they knew they needed to be. And it is where she lives to this day.

I don’t know a lot about the in between – between 1950 when they arrived in Quesnel, and 1968 when I was born there. My first clear memories are of Grandpa building the lake house when I was four – their retirement house that was bigger than anything they’d owned while their six children were at home. Big enough that my aunts and uncles and cousins returning from the mission fields of Africa would always have a place they could land. Big enough that we could have Christmas dinner for 20 plus and all be at one long crooked table. Big enough that it was the only house I knew that had a library room built in under the stairs. 
Oh how I loved the smell and quiet of that closet of books.

It’s a cliché to name your Grandmother as the woman who inspires you, but my Grandma was and is so many things, that I couldn’t think of anyone else. My Grandmother taught me to relish words – consuming and using them. She is a woman of words - like me, sometimes too many words. Hers come out straighter than mine, sometimes with unintended reverberations. I think of her well-meaning ‘I could help you with those eyebrows’ every morning when I tidy those hairy caterpillars, though at 13 I was startled by the thought. I will admit that I took it personally when she pointed out to me that I might be ‘book smart, but other people have other kinds of intelligence that are more useful.’ But it was the perfect lesson for a cocky teenager who had a very limited ability to see the struggles of people around her, even in her own family.

Grandma put her constantly growing family second only to her faith – she happily put aside her education and career to be a wife and mother. She never learned to drive a car; never had her name on the bank account until Grandpa died. They had the kind of traditional marriage that makes us squirm as women today, and when he died some part of her never really lit up again. She’s been a widow for 24 years and she still misses him.

And yet, she is the woman who taught me to stand strong, to create, to be myself, and to never let my strengths be more important than someone else’s weakness. A month after I left my husband, while my sons played in the sunshine in the park, she said “You’ve picked a hard row to hoe, my girl. But I know you can do it.” Then she patted my arm and we went to find ice cream. There were days, that year, when I thought she was the only person who still loved me.

I remember it often. I started graduate school a month later, and her words became my mantra. I moved cities three years later, and they echoed off the streets of this unknown town. I entered and exited relationships - some person-building, some shockingly devastating – and always those words reverberated her faith in me. My sons have stumbled and struggled and she’s always been there, with her love and faith in me and in them.

We celebrate her centennial birthday next week. The entire family - or at least an amazing percentage of it – making the pilgrimage to Quesnel to honour our matriarch: her surviving five children and six children-in-law; seventeen grandchildren and their partners; twenty-one great-grandchildren, and a sweet weeks old great-great grandson that so many of us have yet to meet.

We are only a smidgen of her legacy of faith and love.

The last seven years have been hard on her health: a stroke at 93, breast cancer at 97, burying her golden haired youngest daughter, and the unrelenting march of time have all left her memory wobbly. With all those people and the hullabaloo of a party, she’s unlikely to remember me clearly. She certainly won’t understand who my partner is, and why it’s such a miracle for me to be there with him, happy, and safe, and loved at last. But I go not for recognition, but to recognize.

My grandmother is my inspiration. She is my living, learning, growing model of what a powerful woman is and does. She did not conform; she choose. From the dust bowl of Oklahoma to a senior’s residence in Canada, she has lived her life full of colour and love, with an unprecedented integrity. And I am reminded, once again, of the great gift of my Grandma’s faith in me. And her faith in her God.